For nearly two decades, DeadBase was how Deadheads navigated the tape trading world.
You looked up a song, found every date it was played, then sought out the recording.
Nineteen editions were published across 28 years, culminating in DeadBase 50
(2015) - a 992-page book covering through the Fare Thee Well shows. Data was collected
from hundreds of fans via Usenet, the WELL, and mailed-in corrections. It was the
community's shared factual canon before the internet made that easy.
DeadBase documented 2,318 shows and 480 distinct songs
across 36,504 catalogued performances. It was a setlist reference -
definitive, meticulous, and limited by its medium. The original database was eventually
lost; the final edition is scanned PDFs, not live data.
DeadGraph picks up where DeadBase left off. Same obsessive cataloging instinct, different
era. Where DeadBase tracked setlists, DeadGraph tracks recordings - 18,106 of them, with
source type, lineage, community ratings, and 675,641 individual tracks. Where DeadBase
required page-flipping, DeadGraph answers natural language questions. Where DeadBase was
frozen in print, DeadGraph is a live pipeline that can re-harvest and re-index.
DeadBase built the foundation. The Internet Archive preserved the tapes.
DeadGraph connects them to the age of AI. Different tools, same community, same obsession.